A film by Elisabeth Vogler

2021 - France - Drama - 1.85 - 90 min.

On one beautiful afternoon in Paris during the surreal summer of 2020, 24 different characters roam the streets of the city with a sense of giddy abandon after a spring of lockdown and confinement. Creatively and meticulously choreographed by director Elisabeth Vogler, and shot in one continuous take through many neighbourhoods, a "Slacker" for our new decade; a series of local vignettes that help bring to full life a dynamic city and its young people who can find joy even in crisis. Filming began one day after the lockdown ended, allowing the audience to accompany everyday people as they cross paths throughout the day, experiencing their long-awaited freedom and celebrating the City of Love.

A film by Agnieszka Holland

2020 - Czech Republic/Ireland/Poland/Slovakia - Drama - 2.35 - 118 min.

Inspired by the true story of herbalist Jan Mikolasek, who dedicated his life to caring for the sick in spite of the immense obstacles he faced in his private and public life. Born at the turn of the 20th century, Mikolasek wins fame and fortune using unorthodox treatment methods to cure a wide range of diseases. Already a local institution in Czechoslovakia before World War II, the healer gains in reputation and wealth whether during the Nazi occupation or under the Communist rule. One after the other, every regime will want to use his skills and in return gives him protection. But how high shall be the costs to maintain this status as the tide turns?

A film by Radu Jude

2009 - Romania - Comedy/Drama - 1.85 - 99 min.

Delia Fratila (18) comes from a poor family living in a small Romanian town. She is the winner of an advertising campaign: she sent three juice-bottles labels and won an expensive car. Delia and her parents, has to come to Bucharest for the promotion testimonial – a video showing Delia to the whole country, as a proof that the refreshments company keeps its promises and grants the awards. After the long way to Bucharest, the family finally arrives to the shooting place - a big square in the middle of the city. She spends the day doing the shooting. What she has to do seems quite easy: she has to sit in the car in front of the wheel, to drink juice and thank the organizing company. The shooting goes on with the ordinary problems: Delia keeps forgetting the text, the soda doesn’t look good enough-for the client, they have to refresh her make-up all the time, the shooting angle needs to be changed, some spotlights break etc.