Jo For Jonathan
A Film by Maxime Giroux
2010 - Canada - Drama - 1.85 DCP - 80 min.
with Raphaël Lacaille , Jean-Sébastien Courchesne , Vanessa Pilon & Jean-Alexandre Létourneau
Language: French
Produced by Paul Barbeau & Maxime Giroux
Jo lives in the shadow of his older brother. Amidst a world of delinquency, they become interested in illegal car racing. One night they participate in of them, never reaching the finish line. Jo will become Jonathan.
Festival 2010
Film Festival 2010
More Films
Afterimage
A film by Andrzej Wajda
2016 - Poland - Drama - 2.39 - 98 min.
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise
on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he’s
eventually erased from the museums’ walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
No More Fear
A film by Mourad Ben Cheikh
2011 - Tunisia - Documentary - 1.85 DCP - 74 min.
After the self-immolation of a street seller, the people of Tunisia started a revolution that would give an end to 24 years of dictatorship of President Ben Ali and gave birth to the Arab Spring Revolutions. It was not a Jasmine revolution as Jasmine does not result in death - rather the cry of despair rising from a generation of graduates. We shall never again have any fear for this new Tunisia. This film is a testimony and a tribute to the people of Tunisia.
The Passion Of Michelangelo
A film by Esteban Larrain
2013 - Chile/France/Argentina - Drama - DCP - 1.85 - 97 min.
Chile, 1983. The first street protests pose a dangerous threat to Pinochet’s military government. The regime responds through a secret operation in order to divert public opinion. They pick a 14-yearold street child called Miguel Angel, who swears he can see and talk to the Virgin Mary herself, and they turn him into a pop prophet. His tormented face is reproduced in all the media, and in just a few weeks hundreds of thousands of people make a pilgrimage to Peñablanca, the village where he lives, to participate in ceremonies where prophecies, stigmata, levitations and miracles of all kinds are part of the usual routine.
During the period of the hoax, Miguel Angel goes through a deep transformation. From being a fragile and shy kid, he becomes a clever and capricious teenager who uses his
“divine gift” to manipulate his environment to his advantage. When the church investigates and finally resolves to ban the cult of the Virgin of Peñablanca, the government leaves the boy to his fate. Even if he tries hard to keep his seat of honor, Miguel Angel cannot avoid suffering a biblical fall: he is humiliated, abandoned and banished.