Parisienne

Toronto 2015
Official Selection

Parisienne

A Film by Danielle Arbid

2015 - France - Drama - 1.85 DCP - 119 min.

with Paul Hamy , Manal Issa , Vincent Lacoste , Damien Chapelle & Dominique Blanc

Language: French
Produced by Philippe Martin & David Thion

The 90’s. Lina, 18, arrives to Paris for her studies. She is looking for what she can’t find in her home country Lebanon: a taste of freedom. Lead by her natural instinct for self-preservation, she experiences different sides of the Parisian jungle and becomes conscious of her own place. Because when you are 18, your dream is to embrace the world - not just one boy...

Toronto 2015
Official Selection

More Films

The Most Beautiful Boy in the World

A film by Kristina Lindström & Kristian Petri

2021 - Sweden - Documentary - 2.39 - 93 min.

In 1970, filmmaker Luchino Visconti travelled throughout Europe looking for the perfect boy to personify absolute beauty in his adaptation for the screen of Thomas Mann’s Death in Venice. In Stockholm, he discovered Björn Andrésen, a shy 15-year-old teenager whom he brought to international fame overnight and led to spend a short but intense part of his turbulent youth between the Lido in Venice, London, the Cannes Film Festival and the so distant Japan. Fifty years after the premiere of Death in Venice, Björn takes us on a remarkable journey made of personal memories, cinema history, stardust and tragic events in what could be Bjorn’s last attempt for him to finally get his life back on track.

Red Cow

A film by Tsivia Barkai

2018 - Israel - Drama - 90 min.

Red Cow takes place in the days leading up to the assassination of Rabin and depicts the life of Benny, 16, orphaned from mother at birth and the only child of Joshua - a religious, right-wing extremist, in those critical junctures when she is forming her sexual, religious and political awareness.

Joy of Man's Desiring

A film by Denis Côté

2014 - Canada - Documentary - DCP - 1.85 - 70 min.

An open-ended exploration of the energies and rituals of various workplaces. From one worker to another and one machine to the next; hands, faces, breaks, toil: what kind of absurdist, abstract dialogue can be started between human beings and their need to work? What is the value of the time we spend multiplying and repeating the same motions that ultimately lead to a rest and state of repose whose quality defies definition.