A film by Radu Jude

2009 - Romania - Comedy/Drama - 1.85 - 99 min.

Delia Fratila (18) comes from a poor family living in a small Romanian town. She is the winner of an advertising campaign: she sent three juice-bottles labels and won an expensive car. Delia and her parents, has to come to Bucharest for the promotion testimonial – a video showing Delia to the whole country, as a proof that the refreshments company keeps its promises and grants the awards. After the long way to Bucharest, the family finally arrives to the shooting place - a big square in the middle of the city. She spends the day doing the shooting. What she has to do seems quite easy: she has to sit in the car in front of the wheel, to drink juice and thank the organizing company. The shooting goes on with the ordinary problems: Delia keeps forgetting the text, the soda doesn’t look good enough-for the client, they have to refresh her make-up all the time, the shooting angle needs to be changed, some spotlights break etc.

A film by Agnieszka Holland

2025 - Czech Republic/Germany/Poland - Biopic/Drama - 127 min.

Award-winning director Agnieszka Holland is embarking on her most ambitious project to date, a biopic of the iconic 20th-century Czech writer Franz Kafka. Conceived as a kaleidoscopic mosaic, the film will follow the imprint Kafka left on the world from his birth in 19th-century Prague to his death in post-WW1 Vienna. FRANZ will give the audience a brand new perspective on the life of the man behind the literary giant.

A film by Marcel Gisler

2018 - Switzerland - Drama - 1.85 - 119 min.

There’s a ripple of disquiet in the locker-room when Leon, a new striker, joins the football team. Sharing a flat with keen rival Mario sets the scene for an unexpected love affair, but the path of gay love in this macho world is not an easy one. Mario is unwilling or unable to acknowledge the implications of what is happening. But pretend girlfriends don’t fool everyone. And gossip, along with the threat of blackmail, unbalances the team’s morale. With the prospect of a professional career a strong possibility, will Mario forsake the hope of emotional satisfaction for professional gain?