The Heritage of Pina Bausch
A Film by Anne Linsel
2019 - Germany - Documentary - 1.85 - 52 min.
Languages: English , French , German
Produced by Kerstin Krieg
In June 2009 Pina Bausch died surprisingly. She left behind an international acclaimed dance company which needed to reinvent itself. But how can Pina’s work be passed on and how can her heritage be kept alive? 10 years after her death the company, the new director and important companions of Pina Bausch take the chance to look ahead.
More Films
Orly
A film by Angela Schanelec
2009 - France/Germany - Drama - 2.35 DCP - 84 min.
End of winter. Two hours at the Paris Orly Airport. A young woman (Natacha Régnier), on the way home to her husband falls for a stranger (Bruno Todeschini). A mother (Mireille Perrier) and her nearly grown son (Emile Berling) are traveling to the funeral of her exhusband, the boy’s father. A young couple (Jirka Zett, Lina Falkner) on their first big trip abroad lose touch with each other. A woman (Maren Eggert) finally dares to read her husband’s (Josse De Pauw) break-up letter in the soothing anonymity of public space. All wait for their planes. Completely absorbed in following their immediate fates, they move through the impeccably structured and functional building, unaware of a looming threat outside that will result in the airport’s imminent evacuation.
Last and First Men
A film by Johann Johannsson
2020 - Iceland - Dystopian/Sci-Fi - 1.66 - 70 min.
Two billion years ahead of us, a future race of humans finds itself on the verge of extinction. Almost all that is left in the world are lone and surreal monuments, beaming their message into the wilderness.
Mariinka
A film by Pieter-Jan De Pue
2026 - Belgium/Netherlands/Germany/Sweden - Documentary - 94 min.
In Eastern Ukraine, childhood neighbors find their lives violently derailed by a shifting frontline. Natasha, a promising boxing talent, becomes a military paramedic. Angela, who lost her parents at a young age, survives by moving goods to both sides of the front. Caught in a modern Greek tragedy, brothers Mark and Ruslan now fight on opposite sides – against each other. In the safety of his adoptive family in the United States, their youngest brother Daniil follows the war from afar.
Filmed over a decade on 16mm, MARIINKA begins long before the world watched the full-scale invasion. It is the highly anticipated second feature by Pieter-Jan De Pue, following his Sundance award-winning debut, THE LAND OF THE ENLIGHTENED.