A film by Xiaolu Guo

2010 - France/Germany/United Kingdom - Drama - 1.85 DCP - 98 min.

She, A Chinese tells the story of, a young Chinese woman, MEI, who leaves her monotonous village life behind for the excitement of the nearest big city, Chongqing. However, life there doesn't quite turn out as she expected it; fired from her factory job, she falls in love with SPIKEY, a hit man whose own past soon catches up with him. A spur of the moment decision takes Mei to London, where she marries an elderly man, MR HUNT. A new life begins for Mei, trapped in the silence of Mr Hunt's house, alienated and bored. Her frustration at life with Mr Hunt leads Mei into an affair with RACHID, an Indian immigrant who runs a local take away restaurant, and she moves into the backroom of the restaurant to live with him. Rachid decides to return to his own country, leaving Mei pregnant and alone, facing an uncertain future.

A film by Albert Serra

2019 - France/Portugal/Spain - Drama - 1.85 - 120 min.

1774, shortly before the French Revolution, somewhere between Potsdam and Berlin. Madame de Dumeval, the Duc de Tesis and the Duc de Wand, libertines expelled from the puritanical court of Louis XVI, seek the support of the legendary Duc de Walchen, German seducer and freethinker, lonely in a country where hypocrisy and false virtue reign. Their mission is to export libertinage, a philosophy of enlightenment founded on the rejection of moral boundaries and authorities, but moreover to find a safe place to pursue their errant games, where the quest for pleasure no longer obeys laws other than those dictated by unfulfilled desires.

A film by Ira Sachs

2025 - USA/Germany - Drama - 76 min.

Based on a richly cinematic rendering of a conversation recorded in 1974 between photographer Peter Hujar and writer Linda Rosenkrantz the film re-imagines their talk that day in a single 24-hour period in the life of Hujar, the brilliant and famously uncompromising artist who was one of the most important figures in downtown New York's legendary cultural scene of the 1970s and 1980s.

Set entirely in Linda's Manhattan apartment, the film freely and imaginatively recreates that long-ago afternoon and the wonderfully discursive exchange between these two singular individuals. As the photographer vividly describes his interactions with leading cultural figures of the time, including Allen Ginsberg and Susan Sontag, as well as the challenges of living on limited financial resources in 1970s New York, Peter Hujar's Day transforms unexpectedly into a Bloomsday-like meditation on both an artist's life and time itself.