Subtraction
A Film by Mani Haghighi
2022 - Iran/France - Drama/Thriller - 16:9 - 107 min.
with Taraneh Alidoosti & Navid Mohammadzadeh
Language: Farsi
Produced by Majid Motalebi
In downtown Tehran, Farzaneh, a young driving instructor, spots her husband, Jalal, walking into a woman’s apartment. When she confronts him, Jalal claims he was out of town for work. He decides to check out the building for himself. There, he meets a woman who is the spitting image of Farzaneh. Her name is Bita. Stunned, the two compare family photos: Bita’s husband also looks identical to Jalal.
Platform Competition
More Films
Personal Affairs
A film by Maha Haj
2016 - Israel - Comedy/Drama - 1.85 - 90 min.
In Nazareth, an old couple lives wearily to the rhythm of the daily routine. On the other side of the border, in Ramallah, their son Tarek wishes to remain an eternal bachelor, their daughter is about to give birth while her husband lands a movie role and the grandmother loses her head ... Between check-points and dreams, frivolity and politics, some want to leave, others want to stay but all have personal affairs to resolve.
January 2
A film by Zsofia Szilagyi
2024 - Hungary - Drama - 86 min.
Klára moves out from her husband. Her friend, Ági, helps her. They make a total of seven turns by car. Although they take the same route there and back every time, each round is different. “January 2” is a realist story about a separation from the wife’s perspective with all the challenges she faces following this tough decision.
Peter Hujar’s Day
A film by Ira Sachs
2025 - USA/Germany - Drama - 76 min.
Based on a richly cinematic rendering of a conversation recorded in 1974 between photographer Peter Hujar and writer Linda Rosenkrantz the film re-imagines their talk that day in a single 24-hour period in the life of Hujar, the brilliant and famously uncompromising artist who was one of the most important figures in downtown New York's legendary cultural scene of the 1970s and 1980s.
Set entirely in Linda's Manhattan apartment, the film freely and imaginatively recreates that long-ago afternoon and the wonderfully discursive exchange between these two singular individuals. As the photographer vividly describes his interactions with leading cultural figures of the time, including Allen Ginsberg and Susan Sontag, as well as the challenges of living on limited financial resources in 1970s New York, Peter Hujar's Day transforms unexpectedly into a Bloomsday-like meditation on both an artist's life and time itself.



