Border

Cannes 2018
Un Certain Regard
Best Film
Oscars 2019
Swedish submission
Telluride 2018
Toronto IFF
2018

Border

A Film by Ali Abbasi

2018 - Denmark/Sweden - Nordic Noir - 102 min.

with Eva Melander & Eero Milonoff

Language: Swedish
Produced by Nina Bisgaard , Piodor Gustafsson & Petra Jönsson

Border guard Tina is extraordinarily good at spotting smugglers. One day, a suspicious-looking man steps off the ferry. Unable to identify what he’s hiding, she becomes obsessed with him and the disturbing aura he exudes. Her investigation reveals much more than expected, and she is soon forced to confront terrifying revelations about herself and humankind.

In Collections:
Cannes 2018
Un Certain Regard
Best Film
Oscars 2019
Swedish submission
Telluride 2018
Toronto IFF
2018

More Films

California

A film by Marina Person

2016 - Brazil - Comedy/Drama - DCP - 90 min.

1984. Estela is going through the convoluted stage of adolescence. Sex, love, friendship; everything seems so complicated. Her uncle, Carlos, is her hero, and the trip to California to visit him, her bigger dream. But everything falls apart when he comes back to Brazil looking skinny, weak and sick. Between crisis and discoveries, Estela has to face a reality that will change forever her way of seeing the world.

Tin Castle

A film by Alexander Murphy

2026 - Ireland/France - Documentary - 96 min.

Along a long-forgotten road, the O’Reillys live in a rundown trailer stranded in the middle of the fields. Pa’, Lisa, and their ten children weather the seasons in their tin castle, heirs to a way of life on borrowed time. Under threat of eviction, their tenuous balance falters, yet – steadfast in their tradition – they resist. The children laugh, the dogs bark, the trailer holds on – but for how long?

Joy

A film by Sudabeh Mortezai

2018 - Austria - Drama - 2.39 - 100 min.

Joy is a young Nigerian woman caught in the vicious cycle of sex trafficking. She works the streets to pay off debts to her exploiter Madame, while supporting her family in Nigeria and hoping for a better life for her little daughter in Vienna. Joy struggles to understand her role in this merciless system of exploitation when she is instructed by Madame to supervise Precious, a teenage girl fresh from Nigeria who is not ready to accept her fate.