A film by Denis Côté

2013 - Canada - Drama - DCP - 1.85 - 95 min.

Victoria, an ex-convict in her sixties, wants to start new life in a remote sugar shack. Under the supervision of Guillaume, a young, sympathetic parole officer, she tries to get her life back on track along with Florence, her former cellmate with whom she shared years of
intimacy in prison. Stalked by ghosts of the past, their new life together is unexpectedly jeopardized.

A film by Claire Simon

2008 - France/Belgium - Comedy/Drama - 2.35 DCP - 122 min.

Djamila would like to be on the pill because her relationship with her boyfriend has become serious stuff now; Zoé’s mother gives her condoms but calls her a whore; Nejma hides her pills outside because her mother searches her bag; Hélène finds herself too fertile; Clémence is scared; Adeline wishes she could have kept it, and so does Margot. Maria Angela would like to know who she’s pregnant by, while Ana Maria has opted for love and freedom. Anne, Denise, Marta, Yasmine, and Milena are the advisers receiving and listening to each of these women as they wonder how sexual freedom can be enjoyed. In God’s offices, you laugh and cry and feel swamped. You dance there, you have a cigarette on the veranda, and you come anonymously to tell the commonplace or unbelievable story of your life.

A film by Esteban Larrain

2013 - Chile/France/Argentina - Drama - DCP - 1.85 - 97 min.

Chile, 1983. The first street protests pose a dangerous threat to Pinochet’s military government. The regime responds through a secret operation in order to divert public opinion. They pick a 14-yearold street child called Miguel Angel, who swears he can see and talk to the Virgin Mary herself, and they turn him into a pop prophet. His tormented face is reproduced in all the media, and in just a few weeks hundreds of thousands of people make a pilgrimage to Peñablanca, the village where he lives, to participate in ceremonies where prophecies, stigmata, levitations and miracles of all kinds are part of the usual routine.
During the period of the hoax, Miguel Angel goes through a deep transformation. From being a fragile and shy kid, he becomes a clever and capricious teenager who uses his
“divine gift” to manipulate his environment to his advantage. When the church investigates and finally resolves to ban the cult of the Virgin of Peñablanca, the government leaves the boy to his fate. Even if he tries hard to keep his seat of honor, Miguel Angel cannot avoid suffering a biblical fall: he is humiliated, abandoned and banished.