Embrace Of The Serpent
Director's Fortnight
Official Selection
Best Foreign Language Film
Embrace Of The Serpent
A Film by Ciro Guerra
2015 - Colombia - Adventure/Drama - 2.35 DCP - 122 min.
with Jan Bijvoet , Nilbio Torres , Antonio Bolívar , Yauenkü Miguee & Brionne Davis
Language: Spanish
Produced by Cristina Gallego
A tale of the first encounter, approach, betrayal and life-transcending friendship between an Amazonian shaman, last survivor of his people, and two explorers that become the first men to travel the Northwest Amazon in search of ancestral knowledge.
In Collection:
Director's Fortnight
Official Selection
Best Foreign Language Film
More Films
Flesh Out
A film by Michela Occhipinti
2019 - Italy - Drama - 1.85 - 94 min.
Verida is a modern girl. She works in a beauty salon, is addicted to social media and hangs out with her friends. Still, she is engaged to a man chosen by her family. Like many girls her age, she is under pressure to gain a substantial amount of weight in a tradition called gavage, in order to reach the voluptuous body considered in Mauritania a sign of great beauty, charm, wealth and social status. The wedding is fast approaching and meal after meal Verida is starting to challenge everything she always thought was normal: her loved ones, her way of life, and not least, her own body.
107 Mothers
A film by Peter Kerekes
2021 - Slovakia - Documentary/Drama - 1.85 - 90 min.
Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.
The Klezmer Project
A film by Leandro Koch & Paloma Schachmann
2023 - Austria/Argentina - Docu-Fiction/Musical Roadmovie - 1.85 - 115 min.
Argentinian cameraman Leandro makes a living from filming Jewish weddings. At one of his jobs, he falls in love with Paloma, the clarinetist of the Klezmer band. To seduce her he pretends to be shooting a documentary film about traditional Yiddish folk music. What Leandro does not know is that his “fake” film project will take him on an unscripted journey throughout Eastern Europe in search of the last remaining Klezmer melodies.