Jockey

Sundance 2021
US Dramatic Competition
Sundance 2021
Best Actor

Jockey

A Film by Clint Bentley

2021 - USA - Drama - 2.39 - 95 min.

with Clifton Collins Jr. , Molly Parker & Moises Arias

Language: English
Produced by Clint Bentley , Greg Kwedar & Nancy Schafer

Seasoned horse jockey Jackson (Clifton Collins Jr.) has weathered decades of races on the riding circuit, but he now finds himself facing what could be his last season as his health deteriorates. With the help of Ruth (Molly Parker) and a promising new horse, Jackson starts to prepare for the upcoming championship. His plans take a left turn when a budding young jockey (Moisés Arias) shows up and claims to be his son. Caught between yearning for a connection and uncertainty about his own future, Jackson confronts difficult questions regarding his legacy.

Sundance 2021
US Dramatic Competition
Sundance 2021
Best Actor

More Films

Sombre

A film by Philippe Grandrieux

1999 - France - Drama/Horror - DCP - 112 min.

Following the route of the Tour de France, a solitary motorist Jean periodically stops off to pick up and brutally kill prostitutes. During a rain storm, he runs into a young woman, Claire, whose car has broken down. He offers her a lift...

No More Fear

A film by Mourad Ben Cheikh

2011 - Tunisia - Documentary - 1.85 DCP - 74 min.

After the self-immolation of a street seller, the people of Tunisia started a revolution that would give an end to 24 years of dictatorship of President Ben Ali and gave birth to the Arab Spring Revolutions. It was not a Jasmine revolution as Jasmine does not result in death - rather the cry of despair rising from a generation of graduates. We shall never again have any fear for this new Tunisia. This film is a testimony and a tribute to the people of Tunisia.

Dolce Fine Giornata

A film by Jacek Borcuch

2019 - Poland - Drama - 2.39 - 96 min.

Maria Linde, a free-spirited, Jewish Polish Nobel Prize winner, lives in Tuscany surrounded by warmth and chaos in her family’s villa. A loving mother and grandmother, she also fosters a secret flirtation with the much younger Egyptian man who runs a nearby seaside inn. After a terrorist attack in Rome, Maria refuses to succumb to the hysterical fear and anti-immigrant sentiment that quickly emerge, deciding in her acceptance speech of a local honor to boldly decry Europe’s eroding democracy—but she is unprepared for the public and personal havoc her comments wreak.