Lunana: A Yak in the Classroom

BFI London Film Festival
Official Selection
Busan Film Festival
Official Selection
Oscars 2022
Nomination
Best International Feature

Lunana: A Yak in the Classroom

A Film by Pawo Choyning Dorji

2019 - Bhutan - Drama/Family - 2.35 - 109 min.

with Sherab Dorji , Ugyen Norbu Lhendup & Kelden Lhamo Gurung

OSCARS 2022: Nomination for Best International Feature Film

Language: Dzongkha

Struggling with his profession as a teacher, Ugyen is sent to Lunana in northern Bhutan for his final year of training. The high altitude and the lack of amenities make Ugyen want to leave as soon as he arrives. With a warm welcome the local children try to win him over but they don’t have much time as the harsh winter is about to arrive in the glacial parts of the Himalaya…

In Collections:
BFI London Film Festival
Official Selection
Busan Film Festival
Official Selection
Oscars 2022
Nomination
Best International Feature

More Films

Forest - I See You Everywhere

A film by Bence Fliegauf

2021 - Hungary - Drama - 1.85

Seven hypnotic and unpredictable short stories culminate in a psychological kaleidoscope of couples, families and friends, all connected by their common fate. A standalone-sequel to Bence Fliegauf's 2003 festival-hit FOREST.

Fig Tree

A film by Aäläm-Wärqe Davidian

2018 - France/Ethiopia/Germany/Israel - Drama - 2.39 - 93 min.

The sixteen years old Jewish Mina, is trying to navigate between a surreal routine dictated by the civil war in Ethiopia and her last days of youth with her Christian boyfriend Eli. When she discovers that her family is planning to immigrate to Israel and escape the war, she weaves an alternate plan in order to save Eli. But in times of war, plans tend to go wrong. Davidian’s coming of age film debut film is based on her childhood memories of a civil-war-torn Ethiopia.

The Klezmer Project

A film by Leandro Koch & Paloma Schachmann

2023 - Austria/Argentina - Docu-Fiction/Musical Roadmovie - 1.85 - 115 min.

Argentinian cameraman Leandro makes a living from filming Jewish weddings. At one of his jobs, he falls in love with Paloma, the clarinetist of the Klezmer band. To seduce her he pretends to be shooting a documentary film about traditional Yiddish folk music. What Leandro does not know is that his “fake” film project will take him on an unscripted journey throughout Eastern Europe in search of the last remaining Klezmer melodies.