The Death Of Cinema And My Father Too

Cannes 2020
Official Selection
Ofir Awards 2021
9 nominations
Jury Prize
London Film Week 2020
Best Screenplay
London Film Week 2020
Jerusalem IFF 2020
Best Film
Best Editing
Best Score
Best Actor Special Mention

The Death Of Cinema And My Father Too

A Film by Dani Rosenberg

2020 - Israel - Comedy/Drama - 1.85 - 103 min.

with Marek Rozenbaum , Natan Rosenberg & Noa Koler

Language: Hebrew
Produced by Stav Meron

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

Cannes 2020
Official Selection
Ofir Awards 2021
9 nominations
Jury Prize
London Film Week 2020
Best Screenplay
London Film Week 2020
Jerusalem IFF 2020
Best Film
Best Editing
Best Score
Best Actor Special Mention

More Films

Are We Lost Forever

A film by David Färdmar

2020 - Sweden - Drama/LGBTQ - 104 min.

One morning it is over. For Hampus it is a relief to break up from their destructive relationship, while Adrian is devastated and heartbroken. Will he be able to survive without the love of his life, or is there a possible way of somehow getting him back?

Here And There

A film by Darko Lungulov

2008 - Germany/Serbia/USA - Comedy/Drama - 1.85 DCP - 90 min.

Branko, a young Serbian immigrant, struggles in an unforgiving New York, desperately trying to bring his girlfriend Maria from Serbia to USA. Robert, a depressed New Yorker, tries to make quick cash and accepts to move to Belgrade to marry her so she can get an American visa. Instead of money, Robert finds his way in chaotic Serbia!

And tomorrow the entire world

A film by Julia von Heinz

2020 - Germany - Drama - 2.39

When Luisa leaves her wealthy parents to study law, her best friend introduces her to a rag-tag collective of Antifa activists drawn together by their will to fight for the cause and a disdain of conventions. In their mission to halt the continued rise of neo-Nazis across Germany, the group quickly comes to a crossroad: Does combatting hate justify violence? As Luisa struggles to understand whether her actions are motivated by personal allegiances or political convictions, she and the group must decide what to do when the ideological fight against fascism becomes concrete.