A film by Markus Imhoof

2018 - Germany/Switzerland - Documentary - 1.85 - 92 min.

In the lean years of WW II, the family of Swiss director Markus Imhoof took in Giovanna, an Italian refugee part of a limited-term program for children. When her stay ended, Giovanna was forced to return to Italy, where she died of illness soon after. With this early experience as a point of entry to the ongoing refugee crisis, Imhoof takes us on a journey with extraordinary access through the Italian warships of Operation Mare Nostrum, refugee camps handled by the Italian Mafia, asylum hearings with local authorities, all designed to turn back refugees at all levels. What emerges is a stark picture of a human tragedy and the biggest mass displacement of people since World War II.

A film by Bence Fliegauf

2016 - Hungary - Drama/Fantasy - 2.39 DCP - 91 min.

When Rebeka and her young son, Danny, are together, they throw themselves into a world of stories and secrets. After the death of her mother, Rebeka decides to track down her estranged father. She takes Danny to places she knew as a child, inventing stories as a way of relating her dark recollections of childhood to him. While her memories start turning into demons, Rebeka and Danny carry on their dreamy journey regardless.

A film by Ira Sachs

2025 - USA/Germany - Drama - 76 min.

Based on a richly cinematic rendering of a conversation recorded in 1974 between photographer Peter Hujar and writer Linda Rosenkrantz the film re-imagines their talk that day in a single 24-hour period in the life of Hujar, the brilliant and famously uncompromising artist who was one of the most important figures in downtown New York's legendary cultural scene of the 1970s and 1980s.

Set entirely in Linda's Manhattan apartment, the film freely and imaginatively recreates that long-ago afternoon and the wonderfully discursive exchange between these two singular individuals. As the photographer vividly describes his interactions with leading cultural figures of the time, including Allen Ginsberg and Susan Sontag, as well as the challenges of living on limited financial resources in 1970s New York, Peter Hujar's Day transforms unexpectedly into a Bloomsday-like meditation on both an artist's life and time itself.