A film by Elisabeth Vogler

2021 - France - Drama - 1.85 - 90 min.

On one beautiful afternoon in Paris during the surreal summer of 2020, 24 different characters roam the streets of the city with a sense of giddy abandon after a spring of lockdown and confinement. Creatively and meticulously choreographed by director Elisabeth Vogler, and shot in one continuous take through many neighbourhoods, a "Slacker" for our new decade; a series of local vignettes that help bring to full life a dynamic city and its young people who can find joy even in crisis. Filming began one day after the lockdown ended, allowing the audience to accompany everyday people as they cross paths throughout the day, experiencing their long-awaited freedom and celebrating the City of Love.

A film by Marcela Said

2017 - France/Chile - Drama - 1.85 - 94 min.

Mariana is 42 years old, a member of the Chilean upper class that takes privilege for granted. Scorned by her father and neglected by her husband, Mariana still has the means to occupy her days with fertility treatments, running an art gallery and learning to ride a horse. Her riding instructor, Juan, is 20 years her senior, a former cavalry officer known as The Colonel who is under investigation for human rights abuses committed decades before. When Mariana embarks on an affair with her enigmatic teacher, she's directly confronted with the outrages of the dictatorship for the first time and her increasing interest threatens to tear down the invisible walls protecting her family from the past.

A film by Marcel Gisler

2018 - Switzerland - Drama - 1.85 - 119 min.

There’s a ripple of disquiet in the locker-room when Leon, a new striker, joins the football team. Sharing a flat with keen rival Mario sets the scene for an unexpected love affair, but the path of gay love in this macho world is not an easy one. Mario is unwilling or unable to acknowledge the implications of what is happening. But pretend girlfriends don’t fool everyone. And gossip, along with the threat of blackmail, unbalances the team’s morale. With the prospect of a professional career a strong possibility, will Mario forsake the hope of emotional satisfaction for professional gain?