A film by Anne Linsel

2009 - Germany - Documentary - 1.85 DCP - 89 min.

The dance performance „Kontakthof“ bears the unmistakable signature of Pina Bausch: it deals with forms of human contact, the encounters between the sexes, and the search for love and tenderness with all the attendant anxieties, yearnings and doubts. It is about feelings, which pose a big challenge, particularly for young people. For almost a year teenagers from over eleven schools in Wuppertal went on an emotional journey. Every Saturday, 40 students, aged between 14 to 18 years, rehearsed under the direction of the Bausch-dancers Jo-Ann Endicott and Bénédicte Billiet and under the intense supervision of Pina Bausch herself. The film „Dancing Dreams“ by Anne Linsel and Rainer Hoffmann accompanies the rehearsal process culminating in the opening night. We watch the teenagers making their first, still clumsy attempts to transform the subjects of the dance performance into motion and choreography and to develop an own, individual body expression. They discover themselves in a process, which leads great personal growth. Gentle and shy but also aggressive contacts condensate to individual experiences that many of the teenagers encounter for the first time on stage. Pina Bausch has always encouraged the young dancers „to be themselves.“ It is behind their own movements, fears, feelings and desires that their personal „Dancing Dreams“ become visible. At the end each of them has not only grown up, but above all has become more self-confident, independent and more sceptical facing prejudices. Employing an unusual adjacency, the film introduces the young protagonists in sensitive ways, it culminates in drawing a portrait of an entire generation. Pina Bausch died on June 30th, 2009. „Dancing Dreams – teenagers perform „Kontakthof“ by Pina Bausch“ shows the last motion pictures and the last interview with the world-famous dancer and choreographer.

A film by Mani Haghighi

2018 - Iran - Drama/Comedy - 2.39 - 107 min.

Hasan is full of rage. He's been blacklisted and hasn't been allowed to make a film in years. His star, a woman he adores, is impatient and wants to work with other directors. His wife seems to have fallen out of love with him, and his mother has become old and is slowly losing her mind. Worst of all, film directors across the city are being murdered one after the other, but the serial killer is inexplicably ignoring him. Hasan's feelings are hurt: isn't he the most accomplished filmmaker in town? So why is he being neglected? All these frustrations come to a head when, through a series of bizarre misunderstandings, he becomes the prime suspect in the serial murder case. Social media are abuzz, Hasan has to come up with an ingenious plan to restore his reputation...

A film by Denis Côté

2014 - Canada - Documentary - DCP - 1.85 - 70 min.

An open-ended exploration of the energies and rituals of various workplaces. From one worker to another and one machine to the next; hands, faces, breaks, toil: what kind of absurdist, abstract dialogue can be started between human beings and their need to work? What is the value of the time we spend multiplying and repeating the same motions that ultimately lead to a rest and state of repose whose quality defies definition.