A film by Ira Sachs

2025 - USA/Germany - Drama - 76 min.

Based on a richly cinematic rendering of a conversation recorded in 1974 between photographer Peter Hujar and writer Linda Rosenkrantz the film re-imagines their talk that day in a single 24-hour period in the life of Hujar, the brilliant and famously uncompromising artist who was one of the most important figures in downtown New York's legendary cultural scene of the 1970s and 1980s.

Set entirely in Linda's Manhattan apartment, the film freely and imaginatively recreates that long-ago afternoon and the wonderfully discursive exchange between these two singular individuals. As the photographer vividly describes his interactions with leading cultural figures of the time, including Allen Ginsberg and Susan Sontag, as well as the challenges of living on limited financial resources in 1970s New York, Peter Hujar's Day transforms unexpectedly into a Bloomsday-like meditation on both an artist's life and time itself.

A film by Lav Diaz

2018 - Philippines - Drama - 1.50 - 234 min.

In the late 70s, a gang of militias under the control of the military, terrorizes a remote village in the Philippines. The poet/teacher/activist, Hugo Haniway, decides to find out the truth about the disappearance of his wife. A love story set in the darkest period of Philippine history, the Marcos Dictatorship.
Based on real events and real characters.

A film by Esteban Larrain

2013 - Chile/France/Argentina - Drama - DCP - 1.85 - 97 min.

Chile, 1983. The first street protests pose a dangerous threat to Pinochet’s military government. The regime responds through a secret operation in order to divert public opinion. They pick a 14-yearold street child called Miguel Angel, who swears he can see and talk to the Virgin Mary herself, and they turn him into a pop prophet. His tormented face is reproduced in all the media, and in just a few weeks hundreds of thousands of people make a pilgrimage to Peñablanca, the village where he lives, to participate in ceremonies where prophecies, stigmata, levitations and miracles of all kinds are part of the usual routine.
During the period of the hoax, Miguel Angel goes through a deep transformation. From being a fragile and shy kid, he becomes a clever and capricious teenager who uses his
“divine gift” to manipulate his environment to his advantage. When the church investigates and finally resolves to ban the cult of the Virgin of Peñablanca, the government leaves the boy to his fate. Even if he tries hard to keep his seat of honor, Miguel Angel cannot avoid suffering a biblical fall: he is humiliated, abandoned and banished.