A film by Angela Schanelec

2009 - France/Germany - Drama - 2.35 DCP - 84 min.

End of winter. Two hours at the Paris Orly Airport. A young woman (Natacha Régnier), on the way home to her husband falls for a stranger (Bruno Todeschini). A mother (Mireille Perrier) and her nearly grown son (Emile Berling) are traveling to the funeral of her exhusband, the boy’s father. A young couple (Jirka Zett, Lina Falkner) on their first big trip abroad lose touch with each other. A woman (Maren Eggert) finally dares to read her husband’s (Josse De Pauw) break-up letter in the soothing anonymity of public space. All wait for their planes. Completely absorbed in following their immediate fates, they move through the impeccably structured and functional building, unaware of a looming threat outside that will result in the airport’s imminent evacuation.

A film by Nir Bergman

2010 - Israel - Drama - 1.85 DCP - 110 min.

Three years in the life of Aharon Kleinfeld, the boy who stopped growing. Perhaps he is afraid of growing up and becoming like his crude parents, or maybe he is just a late bloomer, in need of a little more time. But nobody has the time to wait.

A film by Esteban Larrain

2013 - Chile/France/Argentina - Drama - DCP - 1.85 - 97 min.

Chile, 1983. The first street protests pose a dangerous threat to Pinochet’s military government. The regime responds through a secret operation in order to divert public opinion. They pick a 14-yearold street child called Miguel Angel, who swears he can see and talk to the Virgin Mary herself, and they turn him into a pop prophet. His tormented face is reproduced in all the media, and in just a few weeks hundreds of thousands of people make a pilgrimage to Peñablanca, the village where he lives, to participate in ceremonies where prophecies, stigmata, levitations and miracles of all kinds are part of the usual routine.
During the period of the hoax, Miguel Angel goes through a deep transformation. From being a fragile and shy kid, he becomes a clever and capricious teenager who uses his
“divine gift” to manipulate his environment to his advantage. When the church investigates and finally resolves to ban the cult of the Virgin of Peñablanca, the government leaves the boy to his fate. Even if he tries hard to keep his seat of honor, Miguel Angel cannot avoid suffering a biblical fall: he is humiliated, abandoned and banished.