Orly
A Film by Angela Schanelec
2009 - France/Germany - Drama - 2.35 DCP - 84 min.
with Natacha Régnier , Bruno Todeschini , Mireille Perrier & Emile Berling
Languages: English , French , German
Produced by Gian-Piero Ringel & Angela Schanelec
End of winter. Two hours at the Paris Orly Airport. A young woman (Natacha Régnier), on the way home to her husband falls for a stranger (Bruno Todeschini). A mother (Mireille Perrier) and her nearly grown son (Emile Berling) are traveling to the funeral of her exhusband, the boy’s father. A young couple (Jirka Zett, Lina Falkner) on their first big trip abroad lose touch with each other. A woman (Maren Eggert) finally dares to read her husband’s (Josse De Pauw) break-up letter in the soothing anonymity of public space. All wait for their planes. Completely absorbed in following their immediate fates, they move through the impeccably structured and functional building, unaware of a looming threat outside that will result in the airport’s imminent evacuation.
Forum
Filmkunstpreis 2010
More Films
Will-o’-the-Wisp
A film by João Pedro Rodrigues
2022 - France/Portugal - Fantasy/LGBT/Musical - 1.85 - 67 min.
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men immersed in love and desire, and the will to change the status quo.
Next to Her
A film by Asaf Korman
2014 - Israel - Drama - DCP - 2.35 - 90 min.
Chelli is raising her mentally disabled sister Gabby all by herself. When the social worker discovers she leaves her sister alone in the house while at work, Chelli is forced to place her in a day-care center and the void left by her sister's absence makes room for a man in her life. That man, Zohar, tears another crack in the symbiotic relationship of the two sisters.
Mario
A film by Marcel Gisler
2018 - Switzerland - Drama - 1.85 - 119 min.
There’s a ripple of disquiet in the locker-room when Leon, a new striker, joins the football team. Sharing a flat with keen rival Mario sets the scene for an unexpected love affair, but the path of gay love in this macho world is not an easy one. Mario is unwilling or unable to acknowledge the implications of what is happening. But pretend girlfriends don’t fool everyone. And gossip, along with the threat of blackmail, unbalances the team’s morale. With the prospect of a professional career a strong possibility, will Mario forsake the hope of emotional satisfaction for professional gain?


