107 Mothers
A Film by Peter Kerekes
2021 - Slovakia - Documentary/Drama - 1.85 - 90 min.
OSCARS 2022: Official Slovak Submission
Languages: Ukrainian , Russian
Produced by Katarina Tomkova & Peter Kerekes
Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.
In Collection:
Best Screenplay
Industry Selects
Official Selection
Best Film
Best Director
Supported by:
More Films
DJ Ahmet
A film by Georgi M. Unkovski
2025 - North Macedonia/Czech Republic/Serbia/Croatia - Comedy/Drama - 99 min.
Ahmet, a 15-year-old boy from a remote Yuruk village in North Macedonia, finds refuge in music while navigating his father’s expectations, a conservative community, and his first experience with love — a girl already promised to someone else.
The Difficult Bride
A film by Rubaiyat Hossain
2026 - France/Bangladesh/Portugal/Norway/Germany - Supernatural/Drama - 88 min.
In Dhaka, Zaineen prepares for her wedding following beauty rituals and family expectations. However, her body reacts in many unexpected ways. Amongst home remedies, social pressures, and haunting visions, the path to marriage becomes a physical and psychological struggle against what is imposed on her.
Orly
A film by Angela Schanelec
2009 - France/Germany - Drama - 2.35 DCP - 84 min.
End of winter. Two hours at the Paris Orly Airport. A young woman (Natacha Régnier), on the way home to her husband falls for a stranger (Bruno Todeschini). A mother (Mireille Perrier) and her nearly grown son (Emile Berling) are traveling to the funeral of her exhusband, the boy’s father. A young couple (Jirka Zett, Lina Falkner) on their first big trip abroad lose touch with each other. A woman (Maren Eggert) finally dares to read her husband’s (Josse De Pauw) break-up letter in the soothing anonymity of public space. All wait for their planes. Completely absorbed in following their immediate fates, they move through the impeccably structured and functional building, unaware of a looming threat outside that will result in the airport’s imminent evacuation.



