Eisenstein In Guanajuato
Competition
Film Festival 2015
Ocaña Award
Eisenstein In Guanajuato
A Film by Peter Greenaway
2015 - Netherlands/Mexico - Drama - DCP - 2.35 - 105 min.
with Elmer Bäck & Luis Alberti
Language: English
Produced by Bruno Felix , Femke Wolting , San Fu Maltha & Cristina Velasco L.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.
Competition
Film Festival 2015
Ocaña Award
More Films
The River
A film by Emir Baigazin
2018 - Kazakhstan/Norway/Poland - Drama - 2.39 - 108 min.
A family with five sons lives in a remote Kazakh village. In accordance with the Eastern tradition, the eldest son Aslan (13) becomes the Father's deputy, in charge of all the work, and delegating the tasks. One day Aslan takes his brothers to the River for a swim - a moment of deep happiness. From then on, life is different. And when Kanat, an unknown cousin, unexpectedly arrives at the village, the structured life of the family begins to fall apart for good.
Chasuke's Journey
A film by SABU
2015 - Japan - Drama/Fantasy - 2.35 DCP - 106 min.
In Heaven, scribes are busy writing scenarios for all of mankind, dictating everyone’s upcoming destiny. Celestial tea server Chasuke never misses a chance to catch up on some of the latest chapters, especially those about Yuri, for whom he has a secret crush. But when he discovers that the writers accidentally kill her off, he decides to break the rules and go down to Earth to save her. But nothing goes according to plan, since nothing has been prewritten for him…
Devil's Freedom
A film by Everardo González
2017 - Mexico - Documentary - 1.85 - 74 min.
Mexico, 2016. In some of the world's most dangerous cities life is not worth much. Looking into the eyes of the protagonists of violence, victims as well as executioners, helps to understand how fear inserted itself in the subconscious of our society. Through a network of concrete stories, we are facing the most obscure traits of the human psyche, the frail balance between humanity and evil.