The Death of Cinema and My Father Too
Official Selection
9 nominations
London Film Week 2020
London Film Week 2020
Best Film
Best Editing
Best Score
Best Actor Special Mention
The Death of Cinema and My Father Too
A Film by Dani Rosenberg
2020 - Israel - Comedy/Drama - 1.85 - 103 min.
with Marek Rozenbaum , Natan Rosenberg & Noa Koler
Language: Hebrew
Produced by Stav Meron
When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.
Official Selection
9 nominations
London Film Week 2020
London Film Week 2020
Best Film
Best Editing
Best Score
Best Actor Special Mention
More Films
Will-o’-the-Wisp
A film by João Pedro Rodrigues
2022 - France/Portugal - Fantasy/LGBT/Musical - 1.85 - 67 min.
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men immersed in love and desire, and the will to change the status quo.
King Curling
A film by Ole Endresen
2011 - Norway - Comedy - 2.35 DCP - 75 min.
Once a great curling-star, Truls Paulsen is diagnosed with obsessive-compulsive disorder and banned from competing. When he learns that his coach Gordon is on his deathbed, Truls decides to compete again. His goal is to win the championship cash prize to pay for Gordon’s needed operation. He leaves his wife, starts gathering his old team mates and stops taking his medications. Will Truls lead his team to victory and save his old friend?
Paternel
A film by Ronan Tronchot
2024 - France - Drama - 93 min.
In a small French town, Simon is an inspiring Catholic priest wholeheartedly dedicated to his parish. During a service, he encounters Louise, whom he had known years before he became a priest. She introduces him to her 11-year-old son, Aloé, revealing that he is his biological father.
This revelation shatters Simon's daily life, prompting him to question all the certainties that have guided his existence. Can he still be a devout priest for the churchgoers, and can he effectively fulfill the role of a father to his son?
Amidst an institution in crisis, Simon decides to engage in a battle to convince the Church representatives that his vow is compatible with the profound love of being a father.