A film by Julia von Heinz

2020 - Germany - Drama - 2.39

When Luisa leaves her wealthy parents to study law, her best friend introduces her to a rag-tag collective of Antifa activists drawn together by their will to fight for the cause and a disdain of conventions. In their mission to halt the continued rise of neo-Nazis across Germany, the group quickly comes to a crossroad: Does combatting hate justify violence? As Luisa struggles to understand whether her actions are motivated by personal allegiances or political convictions, she and the group must decide what to do when the ideological fight against fascism becomes concrete.

A film by Ira Sachs

2025 - USA/Germany - Drama - 76 min.

Based on a richly cinematic rendering of a conversation recorded in 1974 between photographer Peter Hujar and writer Linda Rosenkrantz the film re-imagines their talk that day in a single 24-hour period in the life of Hujar, the brilliant and famously uncompromising artist who was one of the most important figures in downtown New York's legendary cultural scene of the 1970s and 1980s.

Set entirely in Linda's Manhattan apartment, the film freely and imaginatively recreates that long-ago afternoon and the wonderfully discursive exchange between these two singular individuals. As the photographer vividly describes his interactions with leading cultural figures of the time, including Allen Ginsberg and Susan Sontag, as well as the challenges of living on limited financial resources in 1970s New York, Peter Hujar's Day transforms unexpectedly into a Bloomsday-like meditation on both an artist's life and time itself.

A film by Francesco Munzi

2008 - Italy - Drama - 1.85 DCP - 101 min.

Different people and lives, opposite social realities, a wealthy family, a Rumanian maid accused of theft, a desperate coke addict and two Rumanian brothers flirting with the wrong side of the law. Their stories intertwine and then collide. Silvana, the wife of a provincial industrialist, convinced that Maria, their young Rumanian maid is responsible for the disappearance of precious objects from their home, with no proof and against her husband’s wishes, decides to fire her. Maria goes back to live with Ionut, her ex-boyfriend, who has just been released from jail and lives with his younger brother in a squalid suburban slum. Ionut has recently started hanging out with Marco Rancalli, a young cocaine addict and has dealings with him in petty crime. Marco also has a difficult past: he is not allowed custody of his eight year-old son. The industrialist’s family and the wealth in his villa become the sole objectives of this gang of desperate losers.